Reading and Analysing Alan Kadıköy as a Kinetic Performance Space

Abstract

Kinetic architecture views architectural space not as a fixed form, but as a dynamic system that can adapt to changing uses and user interactions through movable elements and transformable spatial configurations. In performance spaces, this approach questions the traditional concept of a fixed stage by allowing for different staging formats, flexible audience actor relationships, and multi-purpose use. This study examines Alan Kadıköy as an example of a contemporary kinetic performance space. The building incorporates adaptable stage design, modular spatial components, telescopic seating systems, and flexible halls supporting different performance scenarios. Its spatial organization creates a transformable performance environment by allowing for the re-imagining of stage, audience, and backstage relationships. While existing studies examine kinetic architecture in specific contexts, this study aims to reveal the spatial and experiential contributions of kinetic architecture to performance spaces through the example of Alan Kadıköy and to offer a guiding framework for future performance structures.